Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations

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Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations is written by Maria Anna Harley and published by Lulu.com. It's available with International Standard Book Number or ISBN identification 0996398163 (ISBN 10) and 9780996398169 (ISBN 13).

This dissertation presents the history of space in the musical thought of the 20th­ century (from Kurth to Clifton, from Varese to Xenakis) and outlines the development of spatialization in the theory and practice of contemporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden's notion of the musical work; a typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the composers's writings (lves, Boulez, Stockhausen, Cage, etc.) and an examination of their works. The final part presents three unique approaches to spatialization: Brant's simultaneity of sound layers, Xenakis's movement of sound, and Schafer's music of ritual and soundscape.