The Importance of Being Anachronistic : Contemporary Aboriginal Art and Museum Reparations

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The Importance of Being Anachronistic : Contemporary Aboriginal Art and Museum Reparations is written by Khadija von Zinnenburg Carroll and published by . It's available with International Standard Book Number or ISBN identification 0994538812 (ISBN 10) and 9780994538819 (ISBN 13).

The Importance of Being Anachronistic: Contemporary Aboriginal Art and Museum Reparations focuses on the role of time in contemporary art and introduces anachrony as a method for subverting the colonial archive. This publication takes as its subject Trawlwoolway artist Julie Gough's The Lost World (Part 2) exhibition and intervention in the Cambridge Museum of ARchaeology and Anthropology. This project is the subjects of essays by Gough herself, Dacia Viejo-Rose, Ellen Smith and Christoph Balzar, with photography by Mark Adams, and a foreword by Nicholas Thomas. It is introduced by the exhibition's curator, Khadija von Zinnenburg Carroll, also the editor of this publication. The Importance of Being Anachronistic is a peer-reviewed publication, and a collaboration between the journals Discipline and Third Text.