Surrealists in New York

Surrealists in New York

  • Charles Darwent
Publisher:Thames & HudsonISBN 13: 9780500778968ISBN 10: 0500778965

Paperback & Hardcover deals ―

Amazon IndiaGOFlipkart GOSnapdealGOSapnaOnlineGOJain Book AgencyGOBooks Wagon₹2,175Book ChorGOCrosswordGODC BooksGO

e-book & Audiobook deals ―

Amazon India GOGoogle Play Books GOAudible GO

* Price may vary from time to time.

* GO = We're not able to fetch the price (please check manually visiting the website).

Know about the book -

Surrealists in New York is written by Charles Darwent and published by Thames & Hudson. It's available with International Standard Book Number or ISBN identification 0500778965 (ISBN 10) and 9780500778968 (ISBN 13).

In 1957 the American artist Robert Motherwell made an unexpected claim: I have only known two painting milieus well the Parisian Surrealists, with whom I began painting seriously in New York in 1940, and the native movement that has come to be known as abstract expressionism, but which genetically would have been more properly called abstract surrealism. Motherwells bold assertion, that Abstract Expressionism was neither new nor local, but born of a brief liaison between America and France, verged on the controversial. Surrealists in New York tells the story of this liaison and the European exiles who bought Surrealism with them an artistic exchange between the Old World and the New centring on taciturn printmaker Stanley William Hayter and the legendary Atelier 17 print studio he founded. Here artists experiments literally pushed the boundaries of modern art. It was in Hayters studio that Jackson Pollock found the balance of freedom and control that would culminate in his distinctive drip paintings. The impact of Max Ernst, André Masson, Louise Bourgeois and other noted émigrés on the work of Motherwell, Pollock, Mark Rothko and the American avant-garde has for too long been quietly written out of art history. Drawing on first-hand documents, interviews and archive materials, Charles Darwent brings to life the events and personalities from this crucial encounter. In so doing, he reveals a fascinating new perspective on the history of the art of the twentieth century.