Literary Culture in the Medieval Welsh Marches

Literary Culture in the Medieval Welsh Marches

  • Matthew Siôn Lampitt
Publisher:Oxford University PressISBN 13: 9780192661975ISBN 10: 0192661973

Paperback & Hardcover deals ―

Amazon IndiaGOFlipkart GOSnapdealGOSapnaOnlineGOJain Book AgencyGOBooks Wagon₹9,394Book ChorGOCrosswordGODC BooksGO

e-book & Audiobook deals ―

Amazon India GOGoogle Play Books ₹79.99Audible GO

* Price may vary from time to time.

* GO = We're not able to fetch the price (please check manually visiting the website).

Know about the book -

Literary Culture in the Medieval Welsh Marches is written by Matthew Siôn Lampitt and published by Oxford University Press. It's available with International Standard Book Number or ISBN identification 0192661973 (ISBN 10) and 9780192661975 (ISBN 13).

The Welsh Marches, a name which today refers to the borderland regions between England and Wales, are often coupled with images of idealized rusticity, of 'blue remembered hills'. Yet, in the Middle Ages, the Marches stretched from the borders into much of modern-day Mid and South Wales, and were important spaces of conflict, colonization, and contact; of complex, shifting, strategic politics and identities; and, crucially, of vibrant literary activity. An exploration of the Marches' multilingual literary cultures, this book is structured around three geotemporal case studies: Hereford, c. 1170-c. 1210; Ludlow, c. 1310-c. 1350; Ynysforgan, c. 1380-c. 1410. Analysing texts and manuscripts composed, copied, compiled, translated, or otherwise circulated in these locales, this study crosses linguistic and disciplinary boundaries to formulate readings of works in French, Welsh, English, and Latin. These readings are developed through an extended engagement with the philosophy of Bruno Latour, particularly his work on Actor-Network-Theory and modes of existence. From these perspectives, this book not only situates the March within wider literary networks, but also reads its texts as networking narratives that deconstruct binaries of centre and periphery, of local and global, of human and nonhuman, and even of reality and fiction themselves.