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Marnie Hensler

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Collective Trauma and Its Narrative Techniques. Julie Otsuka’s "When the Emperor Was Divine" and "The Buddha in the Attic"

Collective Trauma and Its Narrative Techniques. Julie Otsuka’s "When the Emperor Was Divine" and "The Buddha in the Attic"

Marnie Hensler

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Border Crossing and Reader Reception in "The Emperor’s Babe", "Mr. Loverman" and "Girl, Woman, Other" by Bernardine Evaristo

Border Crossing and Reader Reception in "The Emperor’s Babe", "Mr. Loverman" and "Girl, Woman, Other" by Bernardine Evaristo

Marnie Hensler

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"My Marbles Are Many-Coloured". The Colours of Age in Jackie Kay’s "These Are Not My Clothes"

"My Marbles Are Many-Coloured". The Colours of Age in Jackie Kay’s "These Are Not My Clothes"

Marnie Hensler

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Absent Rebels: Criticism and Network Power in 21st Century Dystopian Fiction

Absent Rebels: Criticism and Network Power in 21st Century Dystopian Fiction

Annika Gonnermann

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The Construction of Place in Amitav Ghosh's "The Hungry Tide"

The Construction of Place in Amitav Ghosh's "The Hungry Tide"

Marnie Hensler

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What is Reality and What is Illusion? The Depiction of Africa in Zadie Smith’s "Swing Time"

What is Reality and What is Illusion? The Depiction of Africa in Zadie Smith’s "Swing Time"

Marnie Hensler

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Reader reception of Bernardine Evaristo's "Girl, Woman, Other". A distant and close reading approach

Reader reception of Bernardine Evaristo's "Girl, Woman, Other". A distant and close reading approach

Marnie Hensler

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